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      <image:title>Images of Dan - (l to r) Dan Friedman, Amiri Baraka, Woodie King, Jr., Photo by Ronald L. Glassman</image:title>
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      <image:title>Images of Dan - Carl Weber and Dan Friedman, Stanford University, February 2006, Photo by Lois Holzman</image:title>
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      <image:title>Images of Dan - Dan Friedman and Katori Hall, June 2010, Photo by Ronald L. Glassman</image:title>
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      <image:title>Images of Dan - Lois Holzman and Dan Friedman at International Conference on Citizenship Culture, Bogota, Colombia, October 2016, Photo by Carolos Lopez</image:title>
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      <image:title>Images of Dan - Dan Friedman with Brad Burgess, artistic director of The Living Theatre, Photo by Ronald L. Glassman</image:title>
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      <image:title>Images of Dan - Dan Friedman with Fred Newman, sometime in the late 1990s, Photo by Unknown</image:title>
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      <image:title>Images of Dan - Lenora Fulani and Dan Friedman, December 2010, Photo by Ronald L. Glassman</image:title>
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      <image:title>Images of Dan - Woodie King, Jr., Founder and Producing Artistic Director of the New Federal Theatre with Dan Friedman, October, 2016, Photo by Lois Holzman</image:title>
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      <image:title>Images of Dan - Dan Friedman addressing Castillo Theatre Gala, November 2013, Photo by Ronald L. Glassman</image:title>
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      <image:title>Images of Dan - (l to r) Dan Baron Cohen, Lois Holzman and Dan Friedman at Performing the World, September 2011, Photo by Ronald L. Glassman</image:title>
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      <image:title>Images of Dan - Dan Friedman with Diane Stiles, Managing director of the Castillo Theatre, May 2013, Photo by Ronald L. Glassman</image:title>
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      <image:title>Images of Dan - Dan in Hat</image:title>
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      <image:title>Images of Dan - Lois Holzman and Dan Friedman, All Stars Project Gala, Lincoln Center, 2010, Photo by Sandy Friedman</image:title>
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      <image:title>Images of Dan - Dan Friedman at the Bastille Metro stop, Paris, France, January 2015, Photo by Lois Holzman</image:title>
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      <image:title>Images of Dan - Ping Chong and Dan Friedman, Photo by Ronald L. Glassman</image:title>
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      <image:title>Images of Dan - Dan Friedman with Santiago Garcia, founder of Teatro La Candelaria, Bogota, Colombia, October 2016, Photo by Lois Holzman</image:title>
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      <image:title>Images of Dan - (l to r) Dan Friedman, Fred Newman, Richard Schechner, late 1990s, Photo by Diane Stiles</image:title>
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      <image:title>Images of Dan - Dan Friedman (left) raising money for the Castillo Theatre on the streets of New York City, mid 1990s, Photo by unknown</image:title>
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      <image:title>Images of Dan - (l to r) Sanjay Kumar, artistic director of pandee theatre (India) and Dan Friedman, artistic director of the Castillo Theatre (USA) at Harvard University, November 2017</image:title>
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    <lastmod>2017-11-27</lastmod>
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    <loc>https://www.danfriedmannyc.org/deconstruction-and-development-of-the-opera-carmen</loc>
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    <lastmod>2017-08-09</lastmod>
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  <url>
    <loc>https://www.danfriedmannyc.org/castillo-theatre</loc>
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    <lastmod>2017-08-08</lastmod>
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      <image:title>Castillo Theatre</image:title>
      <image:caption>(Facing page) Jesse Vega (center) with ensemble in the All Stars Hip-Hop Cabaret #7, a devised production directed by Dan Friedman and Antoine Joyce at the Castillo Theatre, August 2009. (Photo by Ronald L. Glassman)</image:caption>
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      <image:title>Castillo Theatre</image:title>
      <image:caption>(Facing page) Jesse Vega (center) with ensemble in the All Stars Hip-Hop Cabaret #7, a devised production directed by Dan Friedman and Antoine Joyce at the Castillo Theatre, August 2009. (Photo by Ronald L. Glassman)</image:caption>
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      <image:title>Castillo Theatre</image:title>
      <image:caption>Molly Honingsfeld (left) and Jamela Stevens (right) in a Castillo fundraising street performance on the streets of New York City, 1992. (Photo by David Nackman)</image:caption>
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      <image:title>Castillo Theatre</image:title>
      <image:caption>Reynaldo Piniella and Christine Komei Luo in Coming of Age in Korea, book and lyrics by Fred Newman, music by Anne Roboff, directed by Gabrielle L. Kurlander and Desmond Richardson at the Castillo Theatre, January 2009. (Photo by Diane Stiles)</image:caption>
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      <image:title>Castillo Theatre</image:title>
      <image:caption>Castillo actress Vicky Wallace (center) with Castillo volunteers at a “Camp Hamletmachine” workshop; one of a series of workshops at which Castillo volunteers and audience members played with the text of Hamletmachine by Heiner Müller, in preparation for its production at the Castillo Theatre, directed by Eva Brenner, June 2009. (Photo by Diane Stiles)</image:caption>
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      <image:title>Castillo Theatre</image:title>
      <image:caption>Antoine Joyce, performing as the MC with ensemble in the All Stars Hip-Hop Cabaret #1, a devised production directed by Joyce and Dan Friedman at the Castillo Theatre, March 2004. (Photo by Ronald L. Glassman)</image:caption>
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      <image:title>Castillo Theatre</image:title>
      <image:caption>(From left) Shashorna Bailey, Nicosie Christophe, Kelechi Stuart, Monique Allen, Sierra Hamilton, Malique Richardson, JeWayen Thompson, Starshima Trent in Antigone, a devised play based on the script by Sophocles, directed by Craig Pattison at the Castillo Theatre, September 2015. (Photo by Ronald L. Glassman)</image:caption>
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      <image:title>Castillo Theatre</image:title>
      <image:caption>(From left) Lorenzo Jackson, Niara Nyabingi, Rain Jack, Kimarra Canonnier, Franceli Chapman, LaTonia Antoinette, Mariel Reyes, Starshima Trent, Andrea Rachel, Lauryn Simone Jones, and Edgar Cancinos in Katori Hall’s Children of Killers directed by Emily Mendelsohn at the Castillo Theatre, September 2012. (Photo by Ronald L. Glassman)</image:caption>
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      <image:title>Castillo Theatre</image:title>
      <image:caption>(From left) Nicholas Jenkins, Shane Baker, and David Mandelbaum in the first-ever Yiddish language production of Waiting for Godot by Samuel Beckett, translated by Shane Baker and directed by Moshe Yassur. A coproduction of the New Yiddish Rep and Castillo Theatre, September 2013. (Photo by Ronald L. Glassman)</image:caption>
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      <image:title>Castillo Theatre</image:title>
      <image:caption>Heather Niccollette Lewter and Anya Opshinsky in The Grapes of Wrath adaptation by Frank Galati from the novel by John Steinbeck, directed by Rob McIntosh. A joint production of Youth Onstage! and City Lights Youth Theatre at the Castillo Theatre, March 2010. (Photo by Ronald L. Glassman)</image:caption>
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      <image:title>Castillo Theatre</image:title>
      <image:caption>Operation Conversation: Cops &amp; Kids demonstration workshop at the Apollo Theater, August 2014. (From left) Starshima Trent, Officer Michael Murdock, Akeil Davis, and Officer Victor Ramos. (Photo by Kenneth Pietrobono)</image:caption>
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      <image:title>Castillo Theatre</image:title>
      <image:caption>Sheryl Williams leads the community cast of Demonstration 2013 by Dan Friedman, directed by David Nackman at the Castillo Theatre, February 2013. (Photo by Ronald L. Glassman)</image:caption>
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      <image:title>Castillo Theatre</image:title>
      <image:caption>The All Stars Project national headquarters on West 42nd Street, NewYork City. (Photo by David Nackman)</image:caption>
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      <image:title>Castillo Theatre</image:title>
      <image:caption>(From left) Homa Hynes, Starshima Trent, Jessica Cooper in Hip-Hop Explosion Workshop, a hip-hop production featuring the text of Explosion of a Memory/Description of a Picture by Heiner Müller. Directed by Madelyn Chapman and Antoine Joyce at the Castillo Theatre, August 2013. (Photo by Ronald L. Glassman)</image:caption>
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    <loc>https://www.danfriedmannyc.org/casper-hauser-with-nancy-hanks</loc>
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      <image:title>Casper Hauser (with Nancy Hanks)</image:title>
      <image:caption>Foreground is Peter Graham as Casper Hauser.  Ensemble (l to r): Christy Pasqualicchio, Michael Alcide, Nellie Fishenzon, Alisha Purcell, and Devon Ewalt Casper Hauser (A Language Game) Castillo Theatre, October 2004 Photo: Ronald L. Glassman</image:caption>
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  <url>
    <loc>https://www.danfriedmannyc.org/from-the-street-to-the-stage-and-back-again-fred-newman-citizen-artist</loc>
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    <loc>https://www.danfriedmannyc.org/the-performance-activism-of-the-castillo-theatre</loc>
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    <lastmod>2022-11-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1508206521927-16XH159MPL0AH50ACNRG/Castillo+article+Dan+Friedman+4.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>Castillo actress Vicky Wallace (center) with Castillo volunteers at a “Camp Hamletmachine” workshop; one of a series of workshops at which Castillo volunteers and audience members played with the text of Hamletmachine by Heiner Müller, in preparation for its production at the Castillo Theatre, directed by Eva Brenner, June 2009. (Photo by Diane Stiles)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1508208284178-3KOYDMUYMK3A54BRRS81/Castillo+article+Dan+Friedman+13.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>(From left) Homa Hynes, Starshima Trent, Jessica Cooper in Hip-Hop Explosion Workshop, a hip-hop production featuring the text of Explosion of a Memory/Description of a Picture by Heiner Müller. Directed by Madelyn Chapman and Antoine Joyce at the Castillo Theatre, August 2013. (Photo by Ronald L. Glassman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1508207929710-QLFY39S0R04BMCL20C2W/Castillo+article+Dan+Friedman+10.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>Operation Conversation: Cops &amp; Kids demonstration workshop at the Apollo Theater, August 2014. (From left) Starshima Trent, Officer Michael Murdock, Akeil Davis, and Officer Victor Ramos. (Photo by Kenneth Pietrobono)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1502174191775-5TFJEUUEL1YHV9QDTE5F/Castillo+article+Dan+Friedman.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>(Facing page) Jesse Vega (center) with ensemble in the All Stars Hip-Hop Cabaret #7, a devised production directed by Dan Friedman and Antoine Joyce at the Castillo Theatre, August 2009. (Photo by Ronald L. Glassman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1502174190027-SLZF6LAJAJ99B8COFVAI/Castillo+article+Dan+Friedman+1.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>Molly Honingsfeld (left) and Jamela Stevens (right) in a Castillo fundraising street performance on the streets of New York City, 1992. (Photo by David Nackman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1502174189948-FQQMFWEW2OKYOU7MK5BR/Castillo+article+Dan+Friedman+3.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>Reynaldo Piniella and Christine Komei Luo in Coming of Age in Korea, book and lyrics by Fred Newman, music by Anne Roboff, directed by Gabrielle L. Kurlander and Desmond Richardson at the Castillo Theatre, January 2009. (Photo by Diane Stiles)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1502174190205-XDKEJYBCYI09XPMZUIVA/Castillo+article+Dan+Friedman+4.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>Castillo actress Vicky Wallace (center) with Castillo volunteers at a “Camp Hamletmachine” workshop; one of a series of workshops at which Castillo volunteers and audience members played with the text of Hamletmachine by Heiner Müller, in preparation for its production at the Castillo Theatre, directed by Eva Brenner, June 2009. (Photo by Diane Stiles)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1502174448788-7Q7I69RBKM1UN6B1AWO2/Castillo+article+Dan+Friedman+5.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>Antoine Joyce, performing as the MC with ensemble in the All Stars Hip-Hop Cabaret #1, a devised production directed by Joyce and Dan Friedman at the Castillo Theatre, March 2004. (Photo by Ronald L. Glassman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1502174190502-EFVGAZE3I62KJREJHUKB/Castillo+article+Dan+Friedman+6.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>(From left) Shashorna Bailey, Nicosie Christophe, Kelechi Stuart, Monique Allen, Sierra Hamilton, Malique Richardson, JeWayen Thompson, Starshima Trent in Antigone, a devised play based on the script by Sophocles, directed by Craig Pattison at the Castillo Theatre, September 2015. (Photo by Ronald L. Glassman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1502174554907-KO0HIRGED5NCF9EBEHA7/Castillo+article+Dan+Friedman+7.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>(From left) Lorenzo Jackson, Niara Nyabingi, Rain Jack, Kimarra Canonnier, Franceli Chapman, LaTonia Antoinette, Mariel Reyes, Starshima Trent, Andrea Rachel, Lauryn Simone Jones, and Edgar Cancinos in Katori Hall’s Children of Killers directed by Emily Mendelsohn at the Castillo Theatre, September 2012. (Photo by Ronald L. Glassman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1502174190537-XMQK64KTXVVLQF9ASRZN/Castillo+article+Dan+Friedman+8.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>(From left) Nicholas Jenkins, Shane Baker, and David Mandelbaum in the first-ever Yiddish language production of Waiting for Godot by Samuel Beckett, translated by Shane Baker and directed by Moshe Yassur. A coproduction of the New Yiddish Rep and Castillo Theatre, September 2013. (Photo by Ronald L. Glassman)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1502174190973-OLXS86CNPY832BCQMZA2/Castillo+article+Dan+Friedman+9.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>Heather Niccollette Lewter and Anya Opshinsky in The Grapes of Wrath adaptation by Frank Galati from the novel by John Steinbeck, directed by Rob McIntosh. A joint production of Youth Onstage! and City Lights Youth Theatre at the Castillo Theatre, March 2010. (Photo by Ronald L. Glassman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1502174191061-PZYDBGR2S09BZYOKYL3I/Castillo+article+Dan+Friedman+10.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>Operation Conversation: Cops &amp; Kids demonstration workshop at the Apollo Theater, August 2014. (From left) Starshima Trent, Officer Michael Murdock, Akeil Davis, and Officer Victor Ramos. (Photo by Kenneth Pietrobono)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1502174191242-SJBJGDOAA2XIG1NXCLSL/Castillo+article+Dan+Friedman+11.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>Sheryl Williams leads the community cast of Demonstration 2013 by Dan Friedman, directed by David Nackman at the Castillo Theatre, February 2013. (Photo by Ronald L. Glassman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1502174191485-LC90UBPIG2YTVMPO5UAV/Castillo+article+Dan+Friedman+12.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>The All Stars Project national headquarters on West 42nd Street, NewYork City. (Photo by David Nackman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1502174191590-R5IBQ8GI8XRZ0A8Q7QMD/Castillo+article+Dan+Friedman+13.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>(From left) Homa Hynes, Starshima Trent, Jessica Cooper in Hip-Hop Explosion Workshop, a hip-hop production featuring the text of Explosion of a Memory/Description of a Picture by Heiner Müller. Directed by Madelyn Chapman and Antoine Joyce at the Castillo Theatre, August 2013. (Photo by Ronald L. Glassman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1508205731441-458O7V8SURSRXBEL8N54/Castillo+article+Dan+Friedman+1.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>Molly Honingsfeld (left) and Jamela Stevens (right) in a Castillo fundraising street performance on the streets of New York City,1992. (Photo by David Nackman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1508208160955-Q6HDIY9F7SIBGNAXINOI/Castillo+article+Dan+Friedman+12.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>The All Stars Project national headquarters on West 42nd Street, New York City. (Photo by David Nackman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1508206697544-63FVS98M9CYB28LDCXO8/Castillo+article+Dan+Friedman+5.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>Antoine Joyce, performing as the MC with ensemble in the All Stars Hip-Hop Cabaret #1, a devised production directed by Joyce and Dan Friedman at the Castillo Theatre, March 2004. (Photo by Ronald L. Glassman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1508208046378-BLKP891A63NET0Y9J3OX/Castillo+article+Dan+Friedman+11.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>Sheryl Williams leads the community cast of Demonstration 2013 by Dan Friedman, directed by David Nackman at the Castillo Theatre, February 2013. (Photo by Ronald L. Glassman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1508206883568-GMX3D8ZKVVXZ0AFCNFYE/Castillo+article+Dan+Friedman+6.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>(From left) Shashorna Bailey, Nicosie Christophe, Kelechi Stuart, Monique Allen, Sierra Hamilton, Malique Richardson, JeWayen Thompson, Starshima Trent in Antigone, a devised play based on the script by Sophocles, directed by Craig Pattison at the Castillo Theatre, September 2015. (Photo by Ronald L. Glassman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1508207450205-HG10LA9YWBPGBR0H6OMW/Castillo+article+Dan+Friedman+8.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>(From left) Nicholas Jenkins, Shane Baker, and David Mandelbaum in the first-ever Yiddish language production of Waiting for Godot by Samuel Beckett, translated by Shane Baker and directed by Moshe Yassur. A coproduction of the New Yiddish Rep and Castillo Theatre, September 2013. (Photo by Ronald L. Glassman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1508203064945-51QRWZDP29SXS0PY1UYN/Castillo+article+Dan+Friedman.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>Jesse Vega (center) with ensemble in the All Stars Hip-Hop Cabaret #7, a devised production directed by Dan Friedman and Antoine Joyce at the Castillo Theatre, August 2009. (Photo by Ronald L. Glassman) Dan Friedman is Artistic Director of the Castillo Theatre in New York City, which he helped to found in 1984. He is also Associate Dean of UX, a free community-based school of continuing development for people of all ages also in New York. He holds a PhD in theatre history from the University of Wisconsin, and has been active in political, experimental, and community-based theatre since 1969. dfriedman@allstars.org</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1508205957804-HZJAUF2LVOZ3FU5I3U09/Castillo+article+Dan+Friedman+3.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>Reynaldo Piniella and Christine Komei Luo in Coming of Age in Korea, book and lyrics by Fred Newman, music by Anne Roboff, directed by Gabrielle L. Kurlander and Desmond Richardson at the Castillo Theatre, January 2009. (Photo by Diane Stiles)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1508207286188-IQAUZXNZFVUEEYWLGHJQ/Castillo+article+Dan+Friedman+7.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>(From left) Lorenzo Jackson, Niara Nyabingi, Rain Jack, Kimarra Canonnier, Franceli Chapman, LaTonia Antoinette, Mariel Reyes, Starshima Trent, Andrea Rachel, Lauryn Simone Jones, and Edgar Cancinos in Katori Hall’s Children of Killers directed by Emily Mendelsohn at the Castillo Theatre, September 2012. (Photo by Ronald L. Glassman)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1508207757734-Y5EVTNTPAINQW834S7FA/Castillo+article+Dan+Friedman+9.jpg</image:loc>
      <image:title>The Performance Activism Of The Castillo Theatre</image:title>
      <image:caption>Heather Niccollette Lewter and Anya Opshinsky in The Grapes of Wrath adaptation by Frank Galati from the novel by John Steinbeck, directed by Rob McIntosh. A joint production of Youth Onstage! and City Lights Youth Theatre at the Castillo Theatre, March 2010. (Photo by Ronald L. Glassman)</image:caption>
    </image:image>
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  <url>
    <loc>https://www.danfriedmannyc.org/robin-hood-a-political-romance</loc>
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      <image:title>Robin Hood: A Political Romance</image:title>
      <image:caption>From left: Miad Marian (Alethea Rivera) and Robin Hood (Antoime “RL” Joyce) in the Youth Onstage! production of Robin Hood: A Political Romance Photo: Ronald L. Glassman</image:caption>
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  <url>
    <loc>https://www.danfriedmannyc.org/brecht-muller-and-newman-old</loc>
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      <image:caption>Photo: Ronald L. Glassman</image:caption>
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      <image:caption>Photo: Ronald L. Glassman</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1511821751501-OHEK1AFS6RCB6O899OV0/Paris.jpg</image:loc>
      <image:title>•Papers, Chapters and Talks (Old)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/1512008373623-02ZX3H0EHCZLTATOKSJA/Signature.gif</image:loc>
      <image:title>•Papers, Chapters and Talks (Old)</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.danfriedmannyc.org/political-theatre-in-zimbabwe</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-12-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/0e35698e-231e-4e9e-a82a-0257116aa6fd/Screenshot+2025-12-13+at+10.39.37%E2%80%AFPM.png</image:loc>
      <image:title>Political Theatre in Zimbabwe - Make it stand out</image:title>
      <image:caption>Daniel Maposa leading a theatre training in Bulawayo, Matabeleland, Zimbabwe, 11 June 2024. (Photo by Sebastian Muzanenhamo)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/74ed3567-3a46-4e2f-a00f-1769780ef0b1/Screenshot+2025-12-13+at+10.38.35%E2%80%AFPM.png</image:loc>
      <image:title>Political Theatre in Zimbabwe - Make it stand out</image:title>
      <image:caption>Community actors, trained by Savanna Trust, performing in a play they devised in Goromonzi, East Mashonaland, Zimbabwe, September 2012. (Photo by Leonard Matsa)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/18790662-1e83-466d-a2e1-19e1a90e52d7/Daniel+Maposa%2C+Director+of+Savanna+Trust+at+the+Accelerating+Creative+Capabilities+Entrepreneurship+and+Leadership+Zimbabwe.png</image:loc>
      <image:title>Political Theatre in Zimbabwe - Make it stand out</image:title>
      <image:caption>Daniel Maposa, Director of Savanna Trust at the Accelerating Creative Capabilities Entrepreneurship and Leadership Zimbabwe (ACCEL ZW) theatre Festival, in Harare, Jasen Mphepo Little theatre, 4 April 2024. (Photo by Sebastian Muzanenhamo)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/58e51a29bebafbe7102f5f38/c1eca5c0-89c5-4897-8da6-8526cb622464/Screenshot+2025-12-13+at+10.39.10%E2%80%AFPM.png</image:loc>
      <image:title>Political Theatre in Zimbabwe - Make it stand out</image:title>
      <image:caption>Teddy Mangawa and Charlene Mangweni-Furusa in Ukama (2024) by Bongani Benedict Masango at the Rostrum eatre, Tshwane University of Technology, Pretoria, South Africa. “Ukama” is a Shona word that implies a close relationship and interdependence between humans and among all things in nature. (Photo by Tafadzwa Furusa-Motion Zebra)</image:caption>
    </image:image>
  </url>
</urlset>

